Henry Winkler on peculiar world of ‘French Dispatch’ director Wes Anderson

"There are no stand-ins, so you stand for two hours while the maestro composes the shot," Winkler told The Post of working with director Wes Anderson, who also required silence on set.

from Entertainment News – Movies, TV & Celebrities | New York Post https://ift.tt/3B0CDvT
"There are no stand-ins, so you stand for two hours while the maestro composes the shot," Winkler told The Post of working with director Wes Anderson, who also required silence on set. https://ift.tt/eA8V8J