"There are no stand-ins, so you stand for two hours while the maestro composes the shot," Winkler told The Post of working with director Wes Anderson, who also required silence on set.
from Entertainment News – Movies, TV & Celebrities | New York Post https://ift.tt/3B0CDvT
"There are no stand-ins, so you stand for two hours while the maestro composes the shot," Winkler told The Post of working with director Wes Anderson, who also required silence on set. https://ift.tt/eA8V8J
No comments:
Post a Comment