Bad movies are one thing, but there’s a more potent disappointment reserved for ones that coulda been contenders. Director-writer Leigh Whannell’s reboot of “The Invisible Man” squanders a juicy and topical premise: That this version of H.G. Wells’ classic is fueled by toxic masculinity. The idea of combining creature-feature invisibility with domestic-abuse gaslighting — playing...
from Entertainment | New York Post https://ift.tt/2Vscxkm
Bad movies are one thing, but there’s a more potent disappointment reserved for ones that coulda been contenders. Director-writer Leigh Whannell’s reboot of “The Invisible Man” squanders a juicy and topical premise: That this version of H.G. Wells’ classic is fueled by toxic masculinity. The idea of combining creature-feature invisibility with domestic-abuse gaslighting — playing... https://ift.tt/eA8V8J
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