Nearly 17 years after the last “Charlie’s Angels” movie, which featured Cameron Diaz jumping around in her skivvies, comes a feminist, uber-conscious update of the spy story. That’s a tall order considering the title is a dude being possessive of women, but this reboot tries like the Dickinson. The movie’s opening credit sequence, for example,...
from Entertainment | New York Post https://ift.tt/2NLYth8
Nearly 17 years after the last “Charlie’s Angels” movie, which featured Cameron Diaz jumping around in her skivvies, comes a feminist, uber-conscious update of the spy story. That’s a tall order considering the title is a dude being possessive of women, but this reboot tries like the Dickinson. The movie’s opening credit sequence, for example,... https://ift.tt/eA8V8J
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